著名電影導演 Quentin Tarantino 的藝術觀

 我曾提過 1972 年電影《精武門》在台灣上映時給我最深刻印象的是結尾, 陳真（李小龍飾）面臨眾多日本軍警勇敢的衝向敵群, 最後一景停格於他飛身踢腿, 我覺得這一招 (指導演不是演員) 真好讓我驚豔, 後來看到 1969 年的美國電影《Butch Cassidy and the Sundance Kid》, 才得知那樣的快速動作突然定格的結尾是這部電影首創而成經典, 原來《精武門》可能是學樣, 不過這與本文無關.

9月16日大名星 Robert Redford 去世, 當天 youtube 有一段導演 Quentin Tarantino 談論 Redford 電影的錄影, 回憶小時候和母親一起看《Butch Cassidy and the Sundance Kid》後的對話.

What happened?

I remembered asking. They died, my mom informed me.

They died, I yelled.

Yes, Quinton. They died, my mother assured me.

Well, how do you know? I shrewdly asked.

Because when it froze, that was what that was meant to imply, she patiently replied.

Again, I asked. How do you know? I just know, was her unsatisfying answer.

Why didnt they show it? I asked almost indignant, then clearly losing her patience, she said, "Because they didnt want to."

Then I grumbled under my breath. "They should have shown it."

And despite how iconic that image has become, I still agree with me. "They should have shown it."

兩位主角英勇戰死當然可以拍得精彩動人, 不過隱晦的結尾暗喻他們傳奇長存反而令人回味無窮, 因此電影界奉為經典, Tarantino 卻斬釘截鐵的說「... despite how iconic that image has become ... they should have shown it」電影是藝術, 藝術欣賞見仁見智, 我的感想是以小見大可知他的電影風格獨特其來有自.